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Original
Red Bell
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| Size | : 12" x 12" |
| Medium | : Acrylic |
| Surface | : Canvas |
| Frame | : Included in the price |
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Red Bell is a 12" x 12" acrylic original by artist Gopal Pardeshi, its title stating plainly what it shows: a single brass bell, hung from a twisted cord through a metal ring, painted in close detail against a saturated red field.
Pardeshi builds the bell's surface with the same photographic precision found across this series — bright highlights catching its curved brass body, a soft cast shadow behind it confirming its weight and presence. The rope and ring it hangs from are painted with enough tactile detail to suggest they could be handled.
The red the title names isn't a flat backdrop. A faint, dark silhouette of a leafy vine is visible in the upper corner, worked subtly enough into the red that it only reveals itself on a closer look — a quiet detail rather than a competing focal point, letting the bell hold the eye first.
As with Blue Kadi and Drya leaf, the frame around the bell is painted directly onto the canvas as distressed, weathered wood, part of the image rather than a separate object added afterward, reinforcing the sense that this bell has hung in this same worn doorway for a long time.
A bell at a threshold carries an implied sound and use — rung on entry, part of a household's daily rhythm — and Pardeshi's choice to isolate it in close realism gives that everyday object the weight of something worth looking at closely rather than passing by.
The square format and small scale suit an entryway, hallway, or a grouping with the artist's other object studies, where the shared red, blue, and green fields across the set can sit together as a coordinated group.
This is a hand-painted acrylic original on canvas, not a reproduction. Surface texture in the painted frame is part of the artist's technique, built to imitate real aged wood.
Red Bell works as a standalone piece or as part of a set with Blue Kadi and Drya leaf, three close studies that together suggest a single, specific doorway worth returning to.
Red Bell sits alongside pieces like The Door in Pardeshi's Guest Artist collection, built from the same painstaking, almost photographic technique Pardeshi applies across this series. The gallery-wrapped canvas means it's ready to hang as-is; a floating frame is worth considering only if you want a more formal, finished edge. Red Bell would suit an entryway, where its scale and palette can anchor the space without overwhelming it.
Works like this one are built up gradually in layers, with the final surface holding the marks of that process rather than smoothing them away.
