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Original
Family 2
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| Size | : 30" x 48" |
| Medium | : Acrylic |
| Surface | : Canvas |
| Frame | : Frame is not available for this size |
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Family 2 is a 30" x 48" charcoal original by artist Sumana Dey, the second work in her four-part family series. A woman wrapped in a striped covering holds a young boy close to her shoulder at the composition's center, while a bald-headed man and two more figures gather around them, hands resting gently on the group.
This piece sits between the wide, spreading composition of Family 1 and the tighter stacking of Family 4 — five figures held in a balanced vertical cluster, neither as compressed as the smallest works in the series nor as spread out as the widest.
Dey's cross-hatching again does the work of both form and texture: the woman's striped wrap built from alternating hatched bands, the surrounding figures' smooth, rounded shoulders built from tighter, more even strokes, giving the group a quiet variation in surface even within a single monochrome palette.
The child held at shoulder height, gazing outward while the adults around him keep their eyes lowered, gives Family 2 a subtle generational focus — the youngest figure the one point of open, forward attention in an otherwise inward-looking group.
As with the rest of the series, the family unit here isn't posed formally but caught mid-gesture, hands reaching and resting on one another in a way that reads as an ongoing moment rather than a composed portrait.
The vertical format suits a stairwell, hallway, or a grouping alongside Family 1, 3, and 4, where the shared technique and subject tie the four pieces together as a set.
This is a hand-drawn charcoal original on paper, not a reproduction. Natural variation in hatching density is part of the artist's hand-built technique.
Family 2 holds its place in the series as the balance point between the group's widest and most intimate compositions.
Family 2 sits alongside pieces like Family 1 in Dey's Guest Artist collection, built from Dey's dense, sculptural charcoal hatching. Being charcoal on paper, it should be framed under glass with a spacer mount, since direct contact with the glazing can smudge the finer hatching over time. Beyond the spaces already suited to it, Family 2 also works well in a reading nook or quiet corner for a slightly different feel.
It works well as a gift tied to a family milestone — an anniversary, a new home, a new arrival. Family subjects like this one usually say more through posture and closeness between figures than through facial expression. Indirect natural light generally shows the surface at its best, and keeping it out of direct, prolonged sun helps the colours hold over time.
