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Original
Room
Vessel at Rest
Product ID: MhatreVinay_202505_04_013_2424
₹ 44,800
Inclusive of 5%
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| Size | : 24" x 24" |
| Medium | : Acrylic |
| Surface | : Canvas |
| Frame | : Included in the price |
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View Refund PolicyVessel at Rest
Vessel at Rest is a large 24" x 24" acrylic original by artist Vinay Mhatre, the biggest canvas in this harbor series, and it grounds a single red-hulled boat and its rigging on a pale sandy shore at the base of the composition.
The boat's mast and rigging lines rise in thin, deliberate strokes against a soft cream sky, the most linear, drawn element in a painting otherwise built from broad, atmospheric planes of color.
Behind the boat, a low, hazy line of triangular rooftops runs along the upper edge of the canvas, distant enough to blur into the muted blue-grey tones of the far shore, with one small dark structure standing slightly apart from the rest.
The sandy foreground is worked in warm cream and pale taupe, textured enough to suggest worn ground without resorting to fine detail, giving the boat a settled, grounded weight rather than a scene caught mid-motion.
A soft band of pale lavender-grey runs along the middle distance, separating the warm foreground from the cooler, hazier village silhouette further back, a quiet atmospheric device Mhatre uses to suggest real depth without sharp perspective lines, letting temperature and value do the work that linear perspective would in a more conventional landscape. The boat itself sits low and settled in the sand, its hull worked with enough weight and shadow that it reads as genuinely grounded rather than simply parked at the water's edge.
This is a hand-painted acrylic original on canvas, not a reproduction. At this larger scale, the rigging lines and the boat's worked red hull carry visible brushwork worth viewing up close, the red built from several overlapping passes rather than one flat coat. Mhatre keeps the composition's few strong lines — the mast, the rigging, the edge of the hull — deliberately sparse against the broader atmospheric fields, so the drawn detail carries proportionally more weight than it would in a busier scene.
Vessel at Rest sits alongside pieces like Deep Blue Anchor in Mhatre's Guest Artist collection, sharing his recurring red-hulled boat motif rendered here at its calmest and largest scale. Given its size, it suits a substantial wall in a living room, entryway, or dining space, where its calm, grounded scene can anchor a large room without overwhelming it.
Of the harbor scenes in this series, this is the only one to bring a full vessel, mast and all, to rest directly on the shore rather than leaving it implied somewhere just beyond the edge of the canvas.
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