Your new artwork is precious, and it deserves a safe journey to its new home.
View Shipping Policy
Original
Potraj
Claim 5% GST Input Tax Credit
At Sajaao, we understand that taxes can add up — especially with a 5% GST applicable on all our products. If you're a GST-registered business, you may be eligible to claim Input Tax Credit (ITC) on your purchases.
We issue GST-compliant tax invoices with every sale, making it easy for you to avail the ITC — subject to the eligibility conditions and relevant provisions of the Goods and Services Tax Act, 2017.
Simply enter your valid GSTIN at checkout, and we’ll include it on the invoice — helping you get the most value from your investment in authentic handmade art..
| Size | : 60" x 30" |
| Medium | : Acrylic |
| Surface | : Canvas |
| Frame | : Frame is not available for this size |
Free shipping on all orders!
We offer refunds only for damaged products under a few conditions.
View Refund PolicyPotraj
Potraj is a 60" x 30" acrylic original by artist Deven Bhosale, the group composition that its companion piece Potraj-2 later isolates into a single figure. Three ritual performers move in procession, the foremost caught mid-crack of his whip, the coiled rope arcing overhead, while two more figures follow close behind in matching dress.
Potraj performers traditionally travel in groups during devotional processions, and Bhosale's choice to paint three figures together, rather than one, captures that communal, processional character directly.
All three wear the same cowrie-shell necklaces, bell-strung skirts, and painted facial markings, a repetition that reads as shared ritual identity rather than individual variation — these are performers bound by a common practice, not three separate portraits.
Bhosale renders the whole scene in warm gold and ochre, the two background figures slightly softer in focus than the sharply detailed lead dancer, a subtle use of depth that keeps the composition from reading as three equally weighted portraits side by side.
This procession of ritual performers, and its closer companion study Potraj-2, sit alongside Sadhu Aghori and Sadhu-Yogi within Bhosale's broader interest in figures engaged in devotional practice at its most physical and performative.
Given its wide horizontal format, this piece suits a long wall or hallway, where the procession's left-to-right movement can be read the way it would unfold in life.
This is a hand-painted acrylic original on canvas, not a reproduction. The fine detailing on the lead figure's whip and jewelry is built up in careful, controlled strokes distinct from the softer treatment of the trailing figures.
Potraj captures the communal side of ritual performance that its companion close-up leaves out — not one dancer, but a procession moving together.
Potraj sits alongside pieces like Massenger of Peace in Bhosale's Guest Artist collection, built with the same disciplined anatomical shading Bhosale applies across this collection. The gallery-wrapped canvas means it's ready to hang as-is; a floating frame is worth considering only if you want a more formal, finished edge. Beyond the spaces already suited to it, Potraj also works well in a reading nook or quiet corner for a slightly different feel.
Works like this one are built up gradually in layers, with the final surface holding the marks of that process rather than smoothing them away. Natural, indirect light tends to bring out the surface texture best; direct sun for long periods should be avoided so the colour stays true over time. As a handmade original, small variations in texture and brushwork are part of the piece rather than a flaw, and are consistent with how Bhosale works across this collection.
