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Original
Potraj's Turn
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| Size | : 48" x 60" |
| Medium | : Acrylic |
| Surface | : Canvas |
| Frame | : Frame is not available for this size |
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View Refund PolicyPotraj's Turn
Potraj-2 is a 48" x 60" acrylic original by artist Deven Bhosale, a close, single-figure study following his group composition Potraj. A performer stands mid-swing, hair whipped upward with the force of the motion, a long braided whip coiled into a full circular loop around his body — the exact ritual gesture Potraj performers are known for, traditionally part of devotional processions honoring village goddesses.
Bells and cord bindings wrap the performer's wrists and ankles, rendered in careful detail, the small metal bells catching individual highlights that suggest the sound they'd make with every crack of the whip.
Bhosale paints the whip's full loop as the composition's dominant shape, a near-perfect circle traced against the warm ochre background, making the motion itself — not just the figure holding it — the true subject of the piece.
The performer's patterned, layered skirt and sash catch warm reds and golds against his bare torso, grounding the ritual costume in specific, observed textile detail rather than generic drapery.
As the second work titled Potraj, this piece narrows the group scene of its companion painting down to a single figure at the precise peak of the whip's arc, isolating the moment for closer study.
Given its large scale, this piece suits a substantial wall where the full circular sweep of the whip can be taken in from a distance as well as up close.
This is a hand-painted acrylic original on canvas, not a reproduction. The fine detailing on the bells and cord bindings is built up in careful, controlled strokes distinct from the looser background treatment.
Potraj-2 holds a single ritual gesture at its most complete moment — the whip fully extended into its circle, the dancer's whole body committed to the motion.
Potraj-2 sits alongside pieces like Potraj in Bhosale's Guest Artist collection, part of Bhosale's consistent attention to musculature and weight, regardless of subject. Being acrylic on gallery-wrapped canvas, it doesn't need a frame to look finished, though a simple floating frame works well if you prefer a more polished presentation. Beyond the spaces already suited to it, Potraj-2 also works well in a compact urban apartment for a slightly different feel.
Pieces like this tend to be built in stages, and the finished surface still carries visible traces of that process rather than hiding it. Indirect natural light generally shows the surface at its best, and keeping it out of direct, prolonged sun helps the colours hold over time. Being handmade, minor variations in surface and stroke are expected and are part of Bhosale's process, not a defect.
