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Clean Up Mumbai

Product ID: GhadgeUmesh_202505_10_001_3022
₹ 110,880
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Size : 30" x 22"
Medium : Pen and Ink
Surface : Paper
Frame : Included in the price

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Clean Up Mumbai

Clean Up Mumbai is a 30" x 22" pen and ink original by artist Umesh Ghadge. Four crows perch along the top edge of a municipal garbage dumpster, pecking and searching, while the bin itself carries stenciled text and a red exclamation-mark warning symbol — the visible signage of a civic cleanliness campaign, ignored by the birds using the bin exactly as bins are used.

That gap between the official warning and the ordinary scene beside it is the painting's quiet observation, the title's civic instruction sitting directly next to the reality it hasn't yet changed.

Ghadge renders the brick wall behind the dumpster in dense, individually placed stippled dots, giving the stone a rough, weathered texture that grounds the scene in a specific, real corner of the city rather than an abstracted setting.

The crows themselves are rendered in solid, confident dark strokes, their forms reading clearly and immediately against the more textured, patient stippling of the wall and bin behind them.

This willingness to find its subject in an ordinary, even slightly pointed, piece of urban life — rather than a grand landmark — sets Clean Up Mumbai apart within Ghadge's collection of architectural and street studies.

The scale suits a study, office, or a grouping with the artist's other Mumbai street scenes, where the shared observational eye ties the works together.

This is a hand-drawn pen and ink original on paper, not a reproduction. The dense stippled brick texture is built up by hand, part of Ghadge's consistent technique.

Clean Up Mumbai finds its real subject in the space between an official sign and the birds who haven't read it.

Clean Up Mumbai sits alongside pieces like Wajantry in Ghadge's Guest Artist collection, part of Ghadge's patient, structured pen-and-ink studies of Mumbai's overlooked corners. As a pen and ink drawing on paper, it suits a slim, simple frame under glass that lets the linework read clearly without competing for attention. Beyond the spaces already suited to it, Clean Up Mumbai also works well in a bedroom accent wall for a slightly different feel.

Pieces like this tend to be built in stages, and the finished surface still carries visible traces of that process rather than hiding it. Indirect natural light generally shows the surface at its best, and keeping it out of direct, prolonged sun helps the colours hold over time. Being handmade, minor variations in surface and stroke are expected and are part of Ghadge's process, not a defect.

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