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Original
Room
On the way
Product ID: GhadgeUmesh_202505_10_011_1115
₹ 27,664
Inclusive of 5%
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| Size | : 11" x 15" |
| Medium | : Pen and Ink |
| Surface | : Paper |
| Frame | : Included in the price |
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On the way is an 11" x 15" pen and ink original by artist Umesh Ghadge. A farmhouse with a tiled roof and an attached open shed sits beside a rural road, a single figure walking past in the foreground, trees rising behind the building.
The title frames the scene not as a destination but as a moment passed through, consistent with the small, unposed figure who appears to be simply moving along the road rather than arriving anywhere in particular.
Ghadge renders the building's tiled roof and timber shed in careful, varied hatching, while the sky above is worked in his characteristic even stippling, giving the modest structure real material presence without overstating its importance.
A tree beside the house is rendered in looser, more organic linework than the building's straight architectural lines, providing a visual contrast between built structure and natural growth within the same small scene.
This kind of unremarkable roadside subject, observed in passing rather than sought out as a landmark, connects On the way to Taki and Clean Up Mumbai elsewhere in Ghadge's collection.
The compact scale suits a study, hallway, or a grouping with the artist's other rural and street studies, where the shared observational, documentary eye ties the works together.
This is a hand-drawn pen and ink original on paper, not a reproduction. The tiled roof and timber textures are built up in varied hatching, part of Ghadge's consistent technique.
On the way finds its subject exactly where its title says — not a destination, but an ordinary point passed on a journey elsewhere.
On the way sits alongside pieces like Mirror Image in Ghadge's Guest Artist collection, built from the same fine, individually placed linework Ghadge uses across this series. Being a linework piece on paper, a plain, narrow frame under glass tends to suit it best, keeping the focus on the drawing itself. Beyond the spaces already suited to it, On the way also works well in an entryway for a slightly different feel.
Pieces like this tend to be built in stages, and the finished surface still carries visible traces of that process rather than hiding it. Indirect natural light generally shows the surface at its best, and keeping it out of direct, prolonged sun helps the colours hold over time. Being handmade, minor variations in surface and stroke are expected and are part of Ghadge's process, not a defect. Its small, quiet subject makes it a good starting piece for a first-time collector of Ghadge's linework.
Premium Quality
Well Crafted
Easy to Install
Best for Gifting
GST Included
