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Original
Room
CST
Product ID: GhadgeUmesh_202505_10_002_3022
₹ 110,880
Inclusive of 5%
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| Size | : 30" x 22" |
| Medium | : Pen and Ink |
| Surface | : Paper |
| Frame | : Included in the price |
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CST is a 30" x 22" pen and ink original by artist Umesh Ghadge, its title using the everyday abbreviation for Chhatrapati Shivaji Terminus, one of Mumbai's most recognizable landmarks. The Gothic facade, central clock tower, and arched colonnade are rendered in exacting stippled and hatched detail, palm trees framing the entrance on either side.
In the foreground, cars, a cyclist, and pedestrians move across the plaza, rendered with slightly looser, quicker linework than the building itself, keeping the monument as the clear focal point while still grounding the scene in an ordinary working day rather than an empty architectural study.
Ghadge's stippling technique is at its densest in the building's carved stonework and tower, individual decorative details picked out through patient, controlled dotting, while the open sky above is left comparatively sparse, giving the heavily worked facade room to read clearly against it.
The choice of everyday abbreviation as the title, rather than the monument's full formal name, matches the casual, lived-in street scene in front of it — this is the station as Mumbai actually refers to it day to day.
This purely additive, ink-on-paper technique, building form and shadow entirely from repeated marks, is consistent across Ghadge's architectural studies in this collection, CST standing among his most detailed landmark pieces.
Given its scale, this piece suits a substantial wall where the terminus's full facade can be read from a distance, its street-level detail rewarding closer viewing.
This is a hand-drawn pen and ink original on paper, not a reproduction. The density and rhythm of the stippling vary naturally by hand across the surface, part of the drawing's built-up character.
CST holds a famous building and an ordinary Mumbai afternoon in the same frame, neither one overwhelming the other.
CST sits alongside pieces like Clean Up Mumbai in Ghadge's Guest Artist collection, continuing Ghadge's habit of finding order and structure in ordinary city clutter. A slim frame under glass is usually the right call here, since anything heavier tends to compete with the fine ink linework. Beyond the spaces already suited to it, CST also works well in a music room for a slightly different feel.
Works like this one are built up gradually in layers, with the final surface holding the marks of that process rather than smoothing them away. Natural, indirect light tends to bring out the surface texture best; direct sun for long periods should be avoided so the colour stays true over time. As a handmade original, small variations in texture and brushwork are part of the piece rather than a flaw, and are consistent with how Ghadge works across this collection.
Premium Quality
Well Crafted
Easy to Install
Best for Gifting
GST Included
