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Original
Room
Khindaar
Product ID: GhadgeUmesh_202505_10_008_1818
₹ 76,160
Inclusive of 5%
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| Size | : 18" x 18" |
| Medium | : Pen and Ink |
| Surface | : Paper |
| Frame | : Included in the price |
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Khindaar is an 18" x 18" pen and ink original by artist Umesh Ghadge. A weathered stone dwelling stands with its roof frame partially open to the sky, rough timber beams visible beneath a thatched covering, a bare, leafless tree rising beside it and a second small structure visible further back.
Ghadge renders the stacked, irregular stonework of the walls in dense, individually placed dots and short strokes, each stone given enough distinct texture to read as real, load-bearing material rather than a simplified pattern.
The exposed roof timbers, dark against the paler stonework below, are rendered in confident, directional hatching that makes the structure's rough, functional carpentry legible even in its damaged or unfinished state.
The bare tree beside the hut, its branches worked in fine, searching linework, adds a seasonal specificity to the scene, suggesting a particular moment rather than a generic rural backdrop.
This attention to weathered, functional rural architecture, given the same careful documentation as Mumbai's colonial landmarks, is consistent with Taki and On the way elsewhere in Ghadge's collection.
The square format suits a study, hallway, or a grouping with the artist's other rural architecture studies, where the shared subject and stippled technique tie the works together.
This is a hand-drawn pen and ink original on paper, not a reproduction. The stacked stone texture is built up in dense, individually placed marks, part of Ghadge's consistent technique.
Khindaar gives a modest, weathered rural structure the same architectural seriousness Ghadge affords a landmark terminus or cinema elsewhere in this collection.
Khindaar sits alongside pieces like Gujarachi Madi in Ghadge's Guest Artist collection, built from the same fine, individually placed linework Ghadge uses across this series. Being a linework piece on paper, a plain, narrow frame under glass tends to suit it best, keeping the focus on the drawing itself. Beyond the spaces already suited to it, Khindaar also works well in a hallway or stairwell landing for a slightly different feel.
Works like this one are built up gradually in layers, with the final surface holding the marks of that process rather than smoothing them away. Natural, indirect light tends to bring out the surface texture best; direct sun for long periods should be avoided so the colour stays true over time. As a handmade original, small variations in texture and brushwork are part of the piece rather than a flaw, and are consistent with how Ghadge works across this collection.
Premium Quality
Well Crafted
Easy to Install
Best for Gifting
GST Included
